The company at City Garage has been producing innovative, award-winning theater in Santa Monica for more than 25 years. It was founded in 1987 by Artistic Director Frederíque Michel and Producing Director Charles Duncombe. It creates and presents original works that explore contemporary ideas and issues in a distinctive, strongly physical, highly visual, multi-disciplinary style.
It has had more than two dozen "Critic's Choice" or "Pick of the Week" productions. It received four L.A. Weekly Theatre Award nominations for its production George Sand: An Erotic Odyssey in Seven Tableaux (1998, four more for MedeaText: Los Angeles/Despoiled Shore (2000), and another two for Frederick of Prussia/GeorgeW's Dream of Sleep (2001). Its staging of The Empire Builders (2004) by Boris Vian was nominated by the Weekly for Production of the Year, while its revival of Ionesco's The Lesson (2007)received nominations in both direction and performance categories, winning the award for Best Direction. Heiner Müller's The Battle: ABC was nominated for Best Direction and Best Ensemble in 2006 and won the Ensemble award. In 2007, its Three by Mee season received four LA Weekly nominations, including Production of the Year for Agamemnon. The season as a whole won in the Production Design category. In 2008, the company received seven nominations in six categories, including Best Ensemble (one-act) and Best Comedy Ensemble, and took home awards for Best Direction (one-act) and Best Performance (one-act). In 2009, the company earned six nominations including one for Best Ensemble and Best Adaptation for The Mission (Accomplished). In that same year, company founders Frederíque Michel and Charles Duncombe won the LA Weekly's "Queen of the Angels" award for decades of contributions to L.A. theater. Its new versions of the Moliere classic The Bourgeois Gentillhome (2009) and Beamarchais's The Marriage of Figaro (2010) were both "Critic's Choice" in the LA Times, as was its recent original work about human rights atrocities in Darfur The Trojan Women: LA/Darfur Dreamscape.
The company's work with Fassbinder texts has been featured in two German documentaries: Fassbinder in Hollywood, and Fassbinder: Love, Life, and Celluloid. Three of its Heiner Müller productions have been discussed in the book Müller in America published in New York in 2003. In the summer of 2004, in New York, the company received an Otto, a national award for political theatre (past recipients include Laurie Anderson, Bread and Puppets Theater, Steppenwolf Theater, and Heiner Müller). It was honored that year alongside Robert Wilson, El Teatro Campesino, and Charles Mee.
Bonjour Mark, As you probably know, small nonprofit theatres like City Garage can’t survive on box office alone. We make up the difference with grants and generous contributions from audience members like you. That’s why we were so…
Read More »Bonjour Mark, We have an exciting slate of projects lined up for this fall and early winter of 2024. Today, we'd like to tell you about the first! It's the world premiere of a new play which we commissioned from Ukrainian playwright Andriy…
Read More »Bonjour Mark, Last Monday, Stage Raw held their annual Awards Ceremony and “The Penelopiad” was awarded “Distinguished Production of the Year.” Congratulations to the cast and everyone who worked on the production (some of…
Read More »What the Critics Are Saying: Stage Raw: Top Ten! Recommended! (by Amanda L. Andrei): “To see a cast of 13 women onstage is a delight, and to see 11 of them metamorphose into a raft of ducks, a ship, a group of weavers, a pair of…
Read More »