Museo Italo Americano's New Exhbition "Bravo—Celebrating San Francisco Opera, Its Italian Roots and Legacy" Runs through October 22 at Fort Mason Center

The Museo Italo Americano celebrates the 100th anniversary of San Francisco Opera with a new exhibition: BRAVO—Celebrating San Francisco Opera, Its Italian Roots and Legacy. Presented in partnership with San Francisco Opera and Museum of Performance + Design, the exhibition runs through October 22, 2023 at the Museo Italo Americano located at Fort Mason Center in San Francisco.

In conjunction with the exhibit, Museo Italo Americano presents several events including two concerts featuring the EOS Ensemble and mezzo-soprano Laura Krumm on June 1 and June 3 at BATS Improv Bayfront Theatre at Fort Mason. The concerts, which will feature music from Italian operatic works by Mozart, Rossini, Verdi and others, are underwritten by Barbro and Bernard Osher. Also upcoming is an August 17 presentation, “Who's Afraid of Dusty Old Boxes?” by San Francisco Opera Director of Archives Barbara Rominski.

The first museum in the United States devoted exclusively to Italian and Italian-American art and culture, the Museo Italo Americano’s new exhibition traces the history of Italian opera in San Francisco from the Gold Rush years through the establishment of San Francisco Opera in 1923 to the present. The exhibition documents the pivotal role of founder Gaetano Merola and the impact of Italian and Italian-American artists on the Company, along with the role of San Francisco’s Italian community in creating the institution and fostering opera in the city.  

The exhibition offers viewers the rare opportunity to see silent film footage of San Francisco Opera in the 1930s, including scenes with Maestro Merola, with costumes, headpieces, recordings, programs and historic photographs. QR codes offer musical excerpts and interviews for deeper engagement.

This early history of opera in San Francisco between the Gold Rush and the 1906 earthquake is rich and varied, with singers drawing huge crowds. Luisa Tetrazzini famously sang outdoors for an audience of over 200,000 on Christmas Eve 1910 at Lotta’s Fountain at Geary and Market Street. When the Neapolitan conductor Gaetano Merola first arrived in San Francisco in 1906, he fell in love with the city, stating “If destiny wants me not to return to Italy, this is the place to settle down.”

In 1921, he took up permanent residence in the city he called “my other Italy.” By 1922, Maestro Merola created a summer season of three operas at Stanford Stadium, planting the seeds for the founding of a permanent company eventually to be known as San Francisco Opera. The Company presented its first season in the fall of 1923 at what is now the Bill Graham Civic Auditorium and later inaugurated its new home, the War Memorial Opera House in October 1932.

San Francisco Opera’s 2022–23 Centennial Season continues this June with a new interpretation of Puccini’s Madame Butterfly, Richard Strauss’ momentous Die Frau ohne Schatten, composer Gabriela Lena Frank and librettist Nilo Cruz’s El último sueño de Frida y Diego (The Last Dream of Frida and Diego) and a star-studded 100th Anniversary Concert. For tickets and more information, visit sfopera.com. To learn more about San Francisco Opera’s ongoing centennial initiatives and to discover opportunities for deep engagement with the Company’s history, visit sfopera.com/100.