Benjamin Manis makes Company debut conducting Bizet’s popular opera; Francesca Zambello directs her production last seen here in 2019

US debuts of Eve-Maud Hubeaux as Carmen and Louise Alder as Micaëla; Jonathan Tetelman sings Don José for the first time and Christian Van Horn is Escamillo

Tickets available at (415) 864-3330 and sfopera.com

November 19 performance will be livestreamed

Carmen Encounter immersive event on November 21

San Francisco Opera’s 2024 Fall Season concludes with the return of Georges Bizet’s Carmen from November 13–December 1 at the War Memorial Opera House. Mezzo-soprano Eve-Maud Hubeaux makes her American debut as the title role, heading an international cast with Jonathan Tetelman as Don José for the first time in his career, Louise Alder as Micaëla and Christian Van Horn as Escamillo. Conductor Benjamin Manis joins the Company to lead the San Francisco Opera Orchestra, and Francesca Zambello directs her acclaimed production which was last presented here in 2019. Chorus Director John Keene prepares the artists of the San Francisco Opera Chorus.

Months after the 1875 world premiere of Carmen was met with hostile reviews, 36-year-old composer George Bizet died without knowing his work would become one of the most popular of all operas. The composer based his Carmen on the gritty novella by Prosper Mérimée and drew inspiration from the music of the Iberian Peninsula, including Spanish dance rhythms, hand castanets and the sound of guitar music. Bizet’s arias and ensembles in Carmen are among the art form’s most memorable, including Carmen’s seductive Habanera and Seguidilla, Don José’s impassioned Flower Song, Escamillo’s bravura Toreador Song and Micaëla’s Act III prayer for courage.

Francesca Zambello’s well-travelled vision for Carmen, a co-production between San Francisco Opera and Washington National Opera based on the Royal Opera House Covent Garden and Norwegian National Opera staging, updates the opera’s setting from the 1820s to Seville at the time of Carmen’s premiere in 1875. Associate director and choreographer Annamaria Bruzzese assists Zambello with this revival which showcases the work of production designer Tanya McCallin, original lighting designer Paule Constable and revival lighting designer Justin A. Partier.

Swiss mezzo-soprano Eve-Maud Hubeaux scored a triumph at the 2022 Salzburg Festival, filling-in as a late substitute Amneris in Verdi’s Aida. Opera reported, “All gave very physical performances, but especially Eve-Maud Hubeaux: playing a petulant princess more than once suggested a Salome-like character in her toying with Radames, she sang with copper-toned glow and agility not always found in interpreters of this role.” Of her captivating performance, Die Süddeutsche proclaimed, “Next to her everyone else fades.” Hubeaux makes her American debut as Carmen, the free-spirited Roma woman at the heart of Bizet’s tragic work, a role she has performed with the Vienna State Opera, Deutsche Oper Berlin and Brussels’ La Monnaie.

Jonathan Tetelman’s Company debut as Alfredo in the Centennial Season new production of Verdi’s La Traviata won such popular and critical acclaim that San Francisco Classical Voice said, “Power, ardor, conviction, and glorious sheen were the mainstays of towering Jonathan Tetelman’s flawless vocalism.” The Chilean American tenor, an exclusive recording artist for Deutsche Gramophone, takes on Don José for the first time in his fast-rising career. On November 26, the soldier-turned-brigand Don José will be performed by Welsh tenor and current San Francisco Opera Adler Fellow Thomas Kinch who also appears this season as Melot in Tristan und Isolde.

Four years after her scheduled debut with San Francisco Opera (as the title role in Handel’s Partenope) was canceled by the pandemic, British soprano and Audience Prize-winner at the Cardiff Singer of the World competition Louise Alder makes her long-awaited triple-debut—American, Company and role—as Micaëla. American bass-baritone Christian Van Horn, whose many roles with San Francisco Opera include the four villains in Les Contes d’Hoffmann, Oroveso in Norma, Zoroastro in Orlando, and Claggart in Billy Budd, adds the bullfighter, Escamillo, to his distinguished gallery of heroes and villains on the War Memorial Opera House stage.

The cast includes current Adler Fellows soprano Arianna Rodriguez as Frasquita, mezzo-soprano Nikola Printz as Mercédès, baritone Samuel Kidd as Moralès and bass-baritone James McCarthy as Zuniga. Tenors Christopher Oglesby and Alex Boyer complete the ensemble of vocal soloists as Dancaïre and Remendado, respectively, while Dance Corps dancer Blanche Hampton portrays Manuelita.

San Francisco Opera founder Gaetano Merola conducted Bizet’s masterpiece in his 1922 test season at the Stanford University football stadium and programmed it for the Company’s fifth official season in 1927. Carmen has been presented in 34 previous San Francisco Opera seasons, making it the fourth most-presented work in Company history behind Puccini’s La Bohème (45), Madama Butterfly (38) and Tosca (38). Many of the great Carmens of the past century—Maria Jeritza, Gladys Swarthout, Risë Stevens, Regina Resnik, Teresa Berganza, Denyce Graves and Olga Borodina—brought their interpretations to the Company’s stage, establishing a tradition for distinctive portrayals that renew the opera’s appeal for each generation.

Sung in French with English supertitles, the eight performances of Carmen are scheduled for November 13 (7:30 p.m.), 16 (7:30 p.m.), 19 (7:30 p.m.), 22 (7:30 p.m.), 24 (2 p.m.), 26 (7:30 p.m.), 29 (7:30 p.m.); December 1 (2 p.m.), 2024.

CARMEN ENCOUNTER, Thursday, November 21 at 7:30 p.m.

An immersive event inspired by Bizet’s Carmen will transform the Opera House into an evening of multi-sensory experiences. Part opera, part party, the night begins with the first act of Carmen on stage featuring San Francisco Opera Adler Fellows Nikola Printz as Carmen, Thomas Kinch as Don José, Olivia Smith as Micaëla and others, with Benjamin Manis conducting the San Francisco Opera Orchestra and Chorus. After this introduction to the opera, an immersive experience awaits attendees in the lobby spaces of the Opera House, which will be transformed into the steamy streets and locales of Carmen’s Seville. Some lobby activations include adult material; recommended for audiences 21 and over. For more information, visit sfopera.com/encounter.

LIVESTREAM: CARMEN, Tuesday, November 19 at 7:30 p.m.

The Tuesday, November 19 performance of Carmen will be livestreamed at 7:30 p.m. PT. The opera will also be available to watch on demand for 48 hours beginning on Wednesday, November 20 at 10 a.m. PT. Tickets for the livestream and limited on-demand viewing are $27.50. For tickets and more information about livestreams, visit sfopera.com/digital.

DEPARTMENT OF DIVERSITY, EQUITY AND COMMUNITY EVENTS

In partnership with the African American Art & Culture Complex, San Francisco Opera’s Department of Diversity, Equity and Community (DEC) will host a free screening of Carmen: A Hip Hopera, the 2001 made-for-MTV film adaptation of Bizet’s opera starring Beyoncé in the title role, on Thursday, November 7 at 6:30 p.m. To register, visit sfopera.com/hip-hopera.

On Saturday, November 9 at 1:30 p.m. DEC presents First Act Workshop: Carmen for families of pre-K to 2nd graders at the African American Art & Culture Complex. Hosted by Bearitone, the Opera Bear, this free workshop includes a screening of Carmen In An Hour, a 60-minute film version of Bizet’s opera. To register, visit sfopera.com/carmen-in-an-hour.

OPERA PREVIEWS AND PRE-OPERA TALKS

Soprano, conductor Dr. Alissa Deeter and San Francisco Opera Guild present a free, 90-minute Carmen virtual Opera Preview on Thursday, November 7 at 6 p.m. For more information and to register, visit eventbrite.com/e/carmen-virtual-opera-preview-with-alissa-deeter-tickets-928080191837.

55 minutes before every performance of Carmen, opera and theater artist and scholar Michael Mohammed will present a 20-minute overview of the opera inside the auditorium of the Opera House for ticketholders. A digital recording of Mohammed's pre-opera talk will also be made available at sfopera.com/Carmen.

TICKETS AND INFORMATION

Tickets for Carmen range from $28 to $426 and are available at the San Francisco Box Office by calling (415) 864-3330 and online at sfopera.com. San Francisco Opera Box Office hours are Monday 10 a.m.–5 p.m.; Tuesday through Friday 10 a.m.–6 p.m.; Saturday 10 a.m.–6 p.m. (Saturdays phone only). A $2 per-ticket facility fee is included in Balcony 1, 2 and 3 zone prices; all other zones include a $3 per-ticket facility fee.

Tickets for the November 19 livestream of Carmen are $27.50. For more information, visit sfopera.com/digital.

Tickets for Carmen Encounter range from $50 to $225 and are available at the San Francisco Opera Box Office at (415) 864-3330 and online at sfopera.com.

The War Memorial Opera House is located at 301 Van Ness Avenue. Patrons are encouraged to use public transportation to attend San Francisco Opera performances. The War Memorial Opera House is within walking distance of the Civic Center BART/Muni Station and near numerous bus lines, including 5, 21, 47, 49 and F Market Street. For further public transportation information, visit bart.gov and sfmta.com.

Gifts of all sizes help create San Francisco Opera’s programs and are appreciated. To donate visit sfopera.com/donate.

All casting, programs, schedules and ticket prices are subject to change. For further information about San Francisco Opera’s 2024–25 Season, visit sfopera.com.

CARMEN CASTING AND CALENDAR

#US Debut   *San Francisco Opera Debut   ?Role Debut 

†Current Adler Fellow  ◊Adler Fellowship and Merola Opera Program Graduate  ^Merola Opera Program Graduate

All performances take place at the War Memorial Opera House (301 Van Ness Avenue in San Francisco)

CARMEN by Georges Bizet

November 13 (7:30 p.m.), 16 (7:30 p.m.), 19 (7:30 p.m.), 22 (7:30 p.m.), 24 (2 p.m.), 26 (7:30 p.m.), 29 (7:30 p.m.); December 1 (2 p.m.), 2024

Libretto by Henri Meilhac and Ludovic Halévy, based on the novel by Prosper Mérimée

A co-production of San Francisco Opera and Washington National Opera, originally created by Opera Australia based on the Royal Opera House Covent Garden and Norwegian National Opera co-production

Sung in French with English supertitles

Approximate running time: 2 hours and 45 minutes, including one intermission

CARMEN ENCOUNTER

Thursday, November 21 at 7:30 p.m.

War Memorial Opera House

After experiencing the first part of Carmen in the theater, audience members immerse themselves in the world of Bizet’s opera within a transformed Opera House at this encounter which is part opera, part party. For tickets and more information, visit sfopera.com/seasons/encounter.