Tuesday, Oct 21, 2025 from 10:00am to 7:00pm
One of the most common enactments of an artist's practice is mark making. An artist's mark can be reflective of art historical genres and suggestive of their gestural idiosyncrasies that respond to lived experiences, emotions, or their surroundings. Inspired by Toni Morrison's canonical text Beloved, this exhibition engages approaches to art making through the gesture and concept of the mark taken up by Black contemporary artists, who turn the art historical form of mark making on its head. In the works on view, artists contend with the marks of displacement, colonialism, migration, birth, and beauty, as they repurpose, refabricate, and reorient materials to reflect on how they might carry them through their practice. The final works leave seams visible, place dissonant objects into conversation, provide documentation of the production of the work alongside the final iteration, or obscure materials only to make them palpable under the surface.
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